Read Narkokristo, 1896 By Ronaldo S. Vivo Jr. Full Books Online in HD Quality

Sa pagputok ng Himagsikang Pilipino noong 1896, isang mag-iitik at contrabandista sa Bayan ng Pateros—na kapuwa nag-aasam ng mailap na katarungan—ang makatutuklas ng pamamaraan upang masilayan ang Diyos. Mula sa pagbagsak ng Sanggunian sa kamay ng pinagsamang puwersa ng pamahalaang Kastila at simbahang Katolika, ipakikilala nila ang Kristong kanilang nakita.

"..𝘛𝘪𝘯𝘪𝘵𝘪𝘯𝘨𝘯𝘢𝘯 𝘬𝘰 𝘳𝘪𝘯 𝘣𝘪𝘭𝘢𝘯𝘨 𝘢𝘱𝘰𝘺 𝘢𝘯𝘨 𝘱𝘢𝘨𝘯𝘰𝘯𝘰𝘣𝘦𝘭𝘢 𝘯𝘪 𝘝𝘪𝘷𝘰. 𝘐𝘵𝘪𝘯𝘶𝘵𝘶𝘳𝘪𝘯𝘨 𝘬𝘰 𝘪𝘵𝘰 𝘣𝘪𝘭𝘢𝘯𝘨 𝘩𝘪𝘯𝘥𝘪 𝘮𝘢𝘢𝘱𝘶𝘭𝘢𝘯𝘨 𝘢𝘱𝘰𝘺 𝘯𝘢 𝘯𝘢𝘨𝘩𝘢𝘩𝘢𝘸𝘢𝘯 𝘯𝘨 𝘴𝘢𝘳𝘪𝘭𝘪 𝘯𝘪𝘵𝘰𝘯𝘨 𝘭𝘢𝘯𝘥𝘢𝘴. 𝘉𝘪𝘯𝘪𝘣𝘪𝘨𝘺𝘢𝘯𝘨-𝘥𝘪𝘪𝘯 𝘬𝘰 𝘳𝘪𝘵𝘰 𝘢𝘯𝘨 𝘬𝘢𝘯𝘪𝘺𝘢𝘯𝘨 𝘱𝘢𝘨𝘯𝘰𝘯𝘰𝘣𝘦𝘭𝘢, 𝘢𝘵 𝘩𝘪𝘯𝘥𝘪 𝘢𝘯𝘨 𝘬𝘢𝘯𝘪𝘺𝘢𝘯𝘨 𝘮𝘨𝘢 𝘯𝘰𝘣𝘦𝘭𝘢, 𝘥𝘢𝘩𝘪𝘭 𝘮𝘢𝘭𝘪𝘯𝘢𝘸 𝘯𝘢 𝘪𝘣𝘢 𝘴𝘢 𝘯𝘢𝘬𝘢𝘨𝘢𝘸𝘪𝘢𝘯 𝘯𝘨 𝘮𝘨𝘢 𝘮𝘢𝘯𝘶𝘯𝘶𝘭𝘢𝘵 𝘯𝘢 𝘯𝘢𝘨𝘬𝘢𝘶𝘨𝘢𝘵 𝘴𝘢 𝘮𝘨𝘢 𝘪𝘯𝘴𝘵𝘪𝘵𝘶𝘴𝘺𝘰𝘯 𝘢𝘯𝘨 𝘮𝘨𝘢 𝘪𝘵𝘪𝘯𝘢𝘵𝘢𝘮𝘱𝘰𝘬 𝘯𝘪𝘺𝘢𝘯𝘨 𝘱𝘳𝘰𝘴𝘦𝘴𝘰 𝘢𝘵 𝘴𝘦𝘯𝘴𝘪𝘣𝘪𝘭𝘪𝘥𝘢𝘥 𝘵𝘶𝘯𝘨𝘰 𝘴𝘢 𝘱𝘢𝘨𝘣𝘶𝘰 𝘯𝘨 𝘬𝘢𝘯𝘪𝘺𝘢𝘯𝘨 𝘮𝘨𝘢 𝘢𝘬𝘥𝘢. 𝘒𝘢𝘪𝘣𝘢 𝘴𝘢 𝘮𝘨𝘢 𝘯𝘰𝘣𝘦𝘭𝘪𝘴𝘵𝘢𝘯𝘨 𝘵𝘪𝘭𝘢 𝘱𝘪𝘯𝘢𝘥𝘰𝘥𝘰𝘣𝘭𝘦𝘵𝘦 𝘱𝘢 𝘴𝘢 𝘮𝘨𝘢 “𝘧𝘢𝘴𝘩𝘪𝘰𝘯𝘢𝘣𝘭𝘦” (𝘥𝘢𝘩𝘪𝘭 𝘮𝘢𝘺 𝘱𝘪𝘯𝘶𝘱𝘶𝘯𝘵𝘪𝘳𝘺𝘢𝘯𝘨 𝘨𝘳𝘢𝘯𝘵) 𝘢𝘵 “𝘳𝘦𝘭𝘢𝘵𝘢𝘣𝘭𝘦” (𝘴𝘢𝘯𝘨-𝘢𝘺𝘰𝘯 𝘴𝘢 𝘣𝘶𝘳𝘨𝘪𝘴 𝘯𝘢 𝘴𝘦𝘯𝘴𝘪𝘣𝘪𝘭𝘪𝘥𝘢𝘥) 𝘯𝘢 𝘵𝘢𝘶𝘩𝘢𝘯 (𝘰 𝘯𝘪𝘭𝘢𝘭𝘢𝘯𝘨) 𝘢𝘯𝘨 𝘬𝘢𝘯𝘪𝘭𝘢𝘯𝘨 𝘥𝘪𝘴𝘱𝘢𝘭𝘪𝘯𝘨𝘩𝘢𝘥𝘰𝘯𝘨 𝘱𝘢𝘨𝘵𝘢𝘵𝘢𝘯𝘨𝘬𝘢𝘯𝘨 𝘮𝘢𝘥𝘢𝘭𝘢𝘴 𝘯𝘢𝘮𝘢𝘯𝘨 𝘮𝘢𝘶𝘸𝘪 𝘴𝘢 𝘮𝘨𝘢 𝘭𝘢𝘣𝘶𝘴𝘢𝘸 𝘢𝘵 𝘳𝘦𝘢𝘬𝘴𝘺𝘰𝘯𝘢𝘳𝘺𝘰𝘯𝘨 𝘬𝘰𝘮𝘦𝘯𝘵𝘢𝘳𝘺𝘰 𝘵𝘶𝘯𝘨𝘬𝘰𝘭 𝘴𝘢 𝘭𝘪𝘱𝘶𝘯𝘢𝘯𝘨 𝘗𝘪𝘭𝘪𝘱𝘪𝘯𝘰, 𝘪𝘴𝘢 𝘴𝘪 𝘝𝘪𝘷𝘰 𝘴𝘢 𝘪𝘭𝘢𝘯𝘨 𝘯𝘰𝘣𝘦𝘭𝘪𝘴𝘵𝘢 𝘯𝘨 𝘗𝘪𝘭𝘪𝘱𝘪𝘯𝘢𝘴 𝘯𝘢 𝘴𝘶𝘮𝘶𝘴𝘶𝘭𝘢𝘵 𝘯𝘨 𝘮𝘨𝘢 𝘯𝘰𝘣𝘦𝘭𝘢𝘯𝘨 𝘮𝘢𝘵𝘢𝘮𝘢𝘯𝘨 𝘯𝘢𝘬𝘢𝘵𝘪𝘯𝘨𝘪𝘯 𝘴𝘢 𝘮𝘨𝘢 𝘱𝘪𝘯𝘢𝘬𝘢𝘯𝘢𝘬𝘢𝘴𝘶𝘴𝘶𝘭𝘢𝘴𝘰𝘬 𝘢𝘵 𝘱𝘪𝘯𝘢𝘬𝘢𝘣𝘶𝘴𝘢𝘣𝘰𝘴 𝘯𝘢 𝘮𝘶𝘬𝘩𝘢 𝘯𝘨 𝘯𝘢𝘬𝘢𝘳𝘢𝘢𝘯, 𝘬𝘢𝘴𝘢𝘭𝘶𝘬𝘶𝘺𝘢𝘯, 𝘢𝘵 𝘩𝘪𝘯𝘢𝘩𝘢𝘳𝘢𝘱, 𝘩𝘪𝘯𝘥𝘪 𝘶𝘱𝘢𝘯𝘨 𝘱𝘢𝘨𝘮𝘶𝘯𝘪𝘩𝘢𝘯 𝘪𝘵𝘰 𝘢𝘵 𝘩𝘶𝘮𝘢𝘯𝘵𝘰𝘯𝘨 𝘴𝘢 𝘮𝘨𝘢 𝘴𝘪𝘯𝘨𝘬𝘰-𝘴𝘦𝘯𝘵𝘪𝘮𝘰𝘯𝘨 𝘢𝘣𝘴𝘵𝘳𝘢𝘬𝘴𝘺𝘰𝘯, 𝘯𝘨𝘶𝘯𝘪𝘵 𝘶𝘱𝘢𝘯𝘨 𝘪𝘱𝘢𝘢𝘭𝘢𝘭𝘢 𝘴𝘢 𝘢𝘵𝘪𝘯 𝘯𝘢 𝘮𝘢𝘬𝘢𝘵𝘢𝘳𝘶𝘯𝘨𝘢𝘯 𝘢𝘵 𝘮𝘢𝘬𝘢𝘵𝘶𝘸𝘪𝘳𝘢𝘯𝘨 𝘪𝘱𝘢𝘵𝘶𝘱𝘰𝘬 𝘴𝘢 𝘢𝘱𝘰𝘺 𝘢𝘯𝘨 𝘭𝘢𝘩𝘢𝘵 𝘯𝘨 𝘢𝘯𝘺𝘰, 𝘮𝘶𝘬𝘩𝘢, 𝘢𝘵 𝘱𝘢𝘯𝘨𝘢𝘭𝘢𝘯 𝘯𝘨 𝘱𝘢𝘯𝘨-𝘢𝘢𝘱𝘪."

- 𝗔𝗺𝗮𝗱𝗼 𝗔𝗻𝘁𝗵𝗼𝗻𝘆 𝗚 𝗠𝗲𝗻𝗱𝗼𝘇𝗮 𝗜𝗜𝗜

“..𝘚𝘢 𝘪𝘴𝘢𝘯𝘨 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 (𝘢𝘵 𝘮𝘢𝘳𝘢𝘩𝘪𝘭 𝘴𝘢 𝘪𝘣𝘢 𝘱𝘢𝘯𝘨 𝘪𝘯𝘵𝘦𝘳𝘣𝘺𝘶), 𝘯𝘢𝘴𝘢𝘣𝘪 𝘯𝘪 𝘕𝘢𝘭 𝘢𝘯𝘨 𝘬𝘢𝘨𝘶𝘴𝘵𝘶𝘩𝘢𝘯 𝘯𝘪𝘺𝘢𝘯𝘨 𝘮𝘢𝘨𝘴𝘶𝘭𝘢𝘵 𝘱𝘢𝘳𝘢 𝘥𝘰𝘰𝘯 𝘴𝘢 𝘮𝘨𝘢 𝘵𝘢𝘰𝘯𝘨 𝘩𝘪𝘯𝘥𝘪 𝘯𝘢𝘮𝘢𝘯 𝘵𝘢𝘭𝘢𝘨𝘢 𝘳𝘦𝘨𝘶𝘭𝘢𝘳 𝘯𝘢 𝘯𝘢𝘨𝘣𝘢𝘣𝘢𝘴𝘢 𝘰 𝘬𝘢𝘣𝘢𝘩𝘢𝘨𝘪 𝘴𝘢 𝘮𝘨𝘢 𝘴𝘪𝘳𝘬𝘶𝘭𝘰𝘯𝘨 𝘯𝘢𝘨𝘣𝘢𝘣𝘢𝘴𝘢 𝘢𝘵 𝘯𝘢𝘨𝘱𝘰𝘱𝘳𝘰𝘥𝘺𝘶𝘴 𝘯𝘨 𝘱𝘢𝘯𝘪𝘵𝘪𝘬𝘢𝘯 𝘴𝘢 𝘣𝘢𝘯𝘴𝘢. 𝘕𝘢𝘣𝘢𝘣𝘢𝘬𝘢𝘴 𝘬𝘰 𝘳𝘪𝘯 𝘢𝘯𝘨 𝘮𝘰𝘵𝘪𝘣𝘢𝘴𝘺𝘰𝘯𝘨 𝘪𝘺𝘰𝘯 𝘴𝘢 𝘬𝘢𝘯𝘪𝘺𝘢𝘯𝘨 𝘮𝘨𝘢 𝘰𝘯𝘰𝘮𝘢𝘵𝘰𝘱𝘰𝘦𝘪𝘢 𝘰 𝘱𝘢𝘨𝘨𝘢𝘺𝘢 𝘴𝘢 𝘮𝘨𝘢 𝘵𝘶𝘯𝘰𝘨 𝘶𝘱𝘢𝘯𝘨 𝘶𝘮𝘢𝘬𝘵𝘰𝘯𝘨 𝘴𝘰𝘶𝘯𝘥 𝘦𝘧𝘧𝘦𝘤𝘵𝘴 𝘴𝘢 𝘯𝘢𝘳𝘢𝘵𝘪𝘣𝘰 (𝘴𝘢 𝘵𝘰𝘵𝘰𝘰 𝘭𝘢𝘯𝘨, 𝘬𝘢𝘱𝘢𝘨 𝘵𝘪𝘯𝘺𝘢𝘨𝘢 𝘮𝘰𝘯𝘨 𝘣𝘪𝘨𝘬𝘢𝘴𝘪𝘯 𝘢𝘯𝘨 𝘬𝘢𝘯𝘪𝘺𝘢𝘯𝘨 𝘮𝘨𝘢 𝘒𝘙𝘚𝘚𝘏𝘕𝘎𝘎𝘴𝘴! 𝘢𝘵 𝘛𝘏𝘚𝘜𝘎𝘋!, 𝘮𝘢𝘬𝘶𝘬𝘶𝘩𝘢 𝘮𝘰 𝘳𝘪𝘯 𝘢𝘯𝘨 𝘦𝘬𝘴𝘢𝘬𝘵𝘰𝘯𝘨 𝘵𝘶𝘯𝘰𝘨 𝘯𝘢 𝘨𝘶𝘴𝘵𝘰 𝘯𝘪𝘺𝘢𝘯𝘨 𝘣𝘶𝘩𝘢𝘺𝘪𝘯 𝘴𝘢 𝘱𝘢𝘩𝘪𝘯𝘢). 𝘕𝘢𝘪𝘴𝘪𝘱 𝘬𝘰 𝘭𝘢𝘯𝘨, 𝘩𝘪𝘯𝘥𝘪 𝘬𝘢𝘺𝘢 𝘪𝘯𝘵𝘦𝘯𝘥𝘦𝘥 𝘳𝘦𝘢𝘥𝘦𝘳 𝘥𝘪𝘯 𝘯𝘪 𝘕𝘢𝘭 𝘢𝘯𝘨 𝘮𝘨𝘢 𝘯𝘢𝘬𝘢𝘬𝘢𝘴𝘢𝘣𝘢𝘺 𝘯𝘪𝘺𝘢 𝘴𝘢 𝘦𝘬𝘴𝘦𝘯𝘢 𝘯𝘨 𝘮𝘶𝘴𝘪𝘬𝘢? 𝘗𝘢𝘳 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘶𝘳𝘴𝘦 𝘴𝘢 𝘮𝘨𝘢 𝘴𝘢𝘯𝘨𝘢𝘺 𝘯𝘨 𝘦𝘹𝘵𝘳𝘦𝘮𝘦 𝘮𝘶𝘴𝘪𝘤 𝘢𝘯𝘨 𝘮𝘨𝘢 𝘬𝘢𝘢𝘬𝘪𝘣𝘢𝘵 𝘯𝘢 𝘦𝘹𝘵𝘳𝘦𝘮𝘦 𝘯𝘢 𝘪𝘮𝘢𝘩𝘦. 𝘉𝘢𝘬𝘢 𝘢𝘯𝘨 𝘮𝘨𝘢 𝘵𝘢𝘨𝘢𝘱𝘢𝘬𝘪𝘯𝘪𝘨 𝘯𝘨 𝘮𝘨𝘢 𝘬𝘢𝘯𝘵𝘢𝘯𝘨 𝘬𝘢𝘵𝘶𝘭𝘢𝘥 𝘯𝘨 𝘎𝘳𝘰𝘵𝘦𝘴𝘲𝘶𝘦 𝘐𝘮𝘱𝘢𝘭𝘦𝘮𝘦𝘯𝘵 (2000) 𝘯𝘨 𝘋𝘺𝘪𝘯𝘨 𝘍𝘦𝘵𝘶𝘴 𝘰 𝘯𝘨 𝘍𝘰𝘳𝘤𝘦𝘥 𝘎𝘦𝘯𝘥𝘦𝘳 𝘙𝘦𝘢𝘴𝘴𝘪𝘨𝘯𝘮𝘦𝘯𝘵 (2012) 𝘯𝘨 𝘊𝘢𝘵𝘵𝘭𝘦 𝘋𝘦𝘤𝘢𝘱𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘢𝘺 𝘮𝘢𝘬𝘪𝘭𝘪𝘵𝘪 𝘰 𝘮𝘢𝘱𝘶𝘬𝘢𝘸 𝘢𝘯𝘨 𝘪𝘮𝘢𝘩𝘪𝘯𝘢𝘴𝘺𝘰𝘯 𝘴𝘢 𝘮𝘨𝘢 𝘬𝘢𝘨𝘪𝘮𝘣𝘢𝘭-𝘨𝘪𝘮𝘣𝘢𝘭 𝘯𝘢 𝘦𝘬𝘴𝘦𝘯𝘢 𝘯𝘨 𝘕𝘢𝘳𝘬𝘰𝘬𝘳𝘪𝘴𝘵𝘰.”

- 𝗩𝗶𝗻𝗰𝗲𝗻𝘁 𝗖𝗵𝗿𝗶𝘀𝘁𝗼𝗽𝗵𝗲𝗿 𝗔. 𝗦𝗮𝗻𝘁𝗶𝗮𝗴𝗼

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