First, her career. She can’t continue to write about “Happily Ever After,” so she changes the heroine of her new book from a hot young thing to a forty-something woman who manages to find happiness without a man. Her agent isn’t too happy—the heroine is how old? She doesn’t get the guy in the end? How is that even possible?
But Mona is tough, and she’s got Anthony, her personal assistant, and a few good friends to cheer her on and keep the stiff martinis flowing. And Ben. Ben is her plumber, but not your average plumber. He’s smart enough to know that Brian was never good enough for her, and sexy enough to be cast as the romantic lead in quite a few of her books. The sound of his voice alone can send her imagination into full romantic overdrive.
Then she meets Mitch, who might be just the guy for her. And there’s still Ben, who’s managed to come to her rescue more than once. But—there’s a book to publish, a soon-to-be-ex-husband to deal with, and what has Aunt Lily done this time?
Can Mona work this all out? Can life imitate art, and can Mona write her own happy ending?
