Direct rhythms, a wry yet personal approach to experience and memory, oblique with evasion, and animated by the desire to free "the frog in the dry grass" of her throat, all combine to give a special kind of pleasure to meeting the poet and her many selves in Lola Coqueta.
Direct rhythms, a wry yet personal approach to experience and memory, oblique with evasion, and animated by the desire to free "the frog in the dry grass" of her throat, all combine to give a special kind of pleasure to meeting the poet and her many selves in Lola Coqueta.